Tonight on One Detroit, Arts & Culture:

Dance Theatre of Harlem Finds Inspiration for “Higher Ground” Performance at Motown Museum 

The Dance Theatre of Harlem combined movement, melody and history in their latest performance, “Higher Ground,” which paid tribute to Stevie Wonder and his influential music. Before performing at the Michigan Opera Theatre last month, the dance company took a visit to Hitsville U.S.A. to find some inspiration from where Wonder got his start back in the day. 

This story also appeared in DPTV - One Detroit

One Detroit’s AJ Walker met up with the dance company at the Motown Museum where Resident Choreographer Robert Garland and dancers previewed parts from their “Higher Ground” performance. Walker talked with Garland and senior dance member Lindsey Donnell about the inspiration they found, the reason for choosing Wonder’s music as a basis for their performance, and the parallels tropes they see from Wonder’s music in causes like Black Lives Matter today.

When Metal Speaks: Virgil Taylor Finds Inspiration for Works in Middle Eastern, African History 

Born in Detroit and electrified by fire, Virgil Taylor has been creating for most of his life, but despite crafting wearable items, Taylor considers himself a metalworker and not a jeweler. His work, he explained, comes out as a more organic, unrefined product. And his inspiration? The ancient history and designs of Middle East and African countries. For Detroit Performs, Taylor takes viewers inside his workspace at the Birmingham-Bloomfield Art Center to premiere some of the beading work, African bracelets and other items he’s currently working on for clients.

Pioneering Global Architect Minoru Yamasaki Brought Beauty to Detroit’s Buildings

As part of Detroit Public Television’s documentary “Detroit Designs the World,” we transport back to 1950’s Detroit when architect Minoru Yamasaki (1912 – 1986) began to make his mark on the Detroit skyline. Yamasaki, most known for designing the World Trade Center, was a leader in mid-century modernism that equally evoked design elements from across the globe. His designs can be seen across Detroit, from his 1927 design of the Federal Reserve Bank of Chicago Detroit Branch, to the McGregor Memorial Conference Center at Wayne State University and the One Woodward skyscraper — his first skyscraper.

Former Detroit Free Press business writer and author John Gallagher, Jeanette Pierce of the City Institute, and Dr. Dale Gyure, professor and department chair of architecture and design at Lawrence Tech University and the author of “Minoru Yamasaki: Humanist Architecture for a Modern World,” explore Yamasaki’s designs across Detroit, examine the beauty and diverse influences of his designs, and reflect on the legacy he left in the Motor City.

Singer-Songwriter Trey Simon performs “The Impossible” for Detroit Performs: Live From Marygrove 

In closing, watch a special Detroit Performs: Live From Marygrove performance of one of singer-songwriter Trey Simon’s most notable singles,  “The Impossible.” Simon, who has roots in blues music, has crafted a unique identity for himself over the course of his musical career, and some esteemed accolades have come to follow. Simon has opened for the likes of Patti LaBelle, Andra Day and Andy Grammer, and he was nominated for his first Detroit Music Award in 2020. 

Watch Now:

One Detroit’s AJ Walkers met up with the Dance Theatre of Harlem at the Motown Museum to check out a preview of their upcoming ‘Higher Ground’ performance, which pays tribute to Stevie Wonder’s music. Then, Metalwork artist Virgil Taylor takes viewers inside his art studio to show some of the latest wearable art pieces and the ancient inspiration behind his works. Plus, hear more about Detroit’s architectural history and the impacts architect Minoru Yamasaki left with his designs in the Motor City.
Read Now at One Detroit.

Stephen Henderson is the Founding Editor of BridgeDetroit, and a former writer and editor for the Detroit Free Press, Baltimore Sun and Chicago Tribune. Winner of the 2014 Pulitzer Prize for Commentary,...

Leave a comment

Your email address will not be published. Required fields are marked *